Softcover. London, The Curtain Press, 1946-48, Book: Very Good, Dust Jacket: None, Softcovers, five stapled pamphlets. 1) Oscar Wilde and the Theatre, 23 pages. Contains eight pages of costume designs by Cecil Beaton four in color, along with other cartoons and drawings and a text by James Agate. 2) Notes on the Verse Drama by Christopher Hassall. 36 pages. With Wood Engravings By Joan Hassall. 3) The Masque of Christmas: Dramatic Joys of the Festival described by Laurence Whistler, 40 pages. 4) The Masque. a Theatre Notebook. the Old Vic. King Lear. Reviewed by Ivor Brown. No. 1 December 1946, 16 pages. 5) Designs for the Theatre by Rex Whistler (Part 1) with color and b&w illustrations, 20 pages. All very good, clean.
Hardcover. London, William Heinemann, 1st, 1956, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn and soiled dust jacket priced at 9s 6d net. 88 pages, b&w frontis of Dame Edith Evans, another plate with photos from the stage production. The plot tells the story of the imperious Mrs St Maugham and her granddaughter Laurel, a disturbed child under the care of Miss Madrigal, a governess, whose past life is a mystery. Previous owner's signature on the front fly leaf.
Hardcover. NY , Harper Brothers, 1st, 1904, Book: Very Good, Dust Jacket: None, Hardcover light gray boards stamped with a white and gilt design, gray cloth spine. Top edge gilt. Originally published in France in 1902, this is the first US edition of a play set in Italy at the end of the fifteenth century. B&w frontis of the author with a tissue guard. Previous owner's name on the front fly leaf, otherwise an exceptionally clean, bright copy.
Hardcover. Koln GR, Taschen, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover, folio trade edition. With photographic gems of early circus performers, as well as original posters, lithographs, sideshow banners and engravings from the 16th to 19th centuries illustrating the worldwide roots of the circus, readers are transported to a world of thrill and skill, grit and glamor. Highlights include iconic circus photographs by Mathew Brady, Cornell Capa, Walker Evans, Weegee, and Lisette Model, and little-known circus images by Stanley Kubrick and Charles and Ray Eames. 670 pages.
Hardcover. NY, Benjamin Blom, 1st, 1964, Book: Very Good, Dust Jacket: None, Hardcover, light orange cloth with brown titles on spine. Traces the history of the time-honored farce, featuring Pulcinella, Harlequin, Pierrot, Pantaleone, and other traditionsl characters, from Roman comedy to Cruikshank's Punch & Judy. Originally published in 1912, this new edition adds 46 pages of illustrations and a folding color frontispiece. Clean copy, no dust jacket.
Hardcover. NY, Knopf, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 326 pages. Extensively illustrated in color and black and white. Clean copy. Margot Fonteyn shares her personal vision of the history of dance.
Hardcover. Gainesville FL, University Press of Florida, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 267 pages, b&w photos. Biography of the Russian ballet dancer and teacher Agrippina Vaganova (1879-1951).
Hardcover. NY, Dodd Mead, 1st, 1958, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket, 84 pages with index. B&w photos. Ex-lib with minimal signs, light reside to rear endpapers. Beryl Grey was the first Western ballerina to dance in Moscow's Bolshoi Theatre and she tells of her experiences on tour. Clean internally.
Softcover. Los Angeles, Augustan Reprint Society, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover, 42 pages. Facsimile reprint of the 1732 pamphlet with introduction by Robert Hume. Published anonymously but thought to have been written by Aaron Hill (1685-1750). The pamphlet turns out to be a fascinatingly particular review of the cultural affairs in London during the winter and spring of 1732. Clean copy.
Hardcover. Ithaca NY, Cornell University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 209 pages with index. Why do we laugh? Do we really want to know why? We are torn between desire to understand the joyous human response of laughter and reluctance to expose the secret of our spontaneity to the rigors of intellectualizing, the labors of analysis. Marcel Gutwirth here offers a fresh approach to laughter and the full range of funny occasions-- from the artistry of Molire's Misanthrope to the unique nature of Beckett's comic wisdom. Clean copy.
Hardcover. New York, Cheshire House, 1st, 1932, Book: Very Good, Dust Jacket: None, 147 pages. Half leather with marbled boards. Title in gilt on sun faded spine. Illustrated with wood engravings by Freda Bone. This being #406 of 1200 copies.
Hardcover. NY, Robert M. McBride, 2nd pr., 1927, Book: Very Good, Dust Jacket: None, Hardcover, floral decorated boards, black cloth spine, paper title labels, lacking dust jacket. American playwright, Green won the Pulitzer in 1927 for In Abraham's Bosom. 317 pages, top edge stained red. A clean, bright copy.
Hardcover. Boston, Bulfinch Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 470 pages, illustrated with over 500 color and b&w images including posters, programs, maps and other archival material. Like new in publisher's shrinkwrap.
Hardcover. NY, Viking Press, 1st, 1954, Book: Very Good, Dust Jacket: None, Hardcover, two-tone blue cloth covers, 120 pages. The blackly comic play about the oppressed lives of women in 1950s New York. One of literature's leading humorists, Dorothy Parker drew from the dark side of her imagination to pen The Ladies of the Corridor, a searing drama about women living on their own in a New York residence hotel. Loosely based on Parker's life, and co-written with famed Hollywood playwright Arnaud d'Usseau, The Ladies of the Corridor exposes the limitations of a woman's life in a drama teeming with Parker's signature wit. This copy INSCRIBED BY FRANCES STARR on the front fly leaf who had a leading role in the play as Mrs. Nichols.
Hardcover. NY, Bantam Books, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover ina bright, unclipped dust jacket. Conceived by Mikhail Baryshnikov. Written and directed by Peter Anastos. Photographs by Arthur Elgort. Introduction by Jean Poniatowski. A humorous takeoff of the classical ballet conceived by a classical ballet dancer. 80 unnumbered pages. Clean copy.
Softcover. Libreria Musicale Italiana, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 215 pages, b&w illustrations. A history of the diaspora of Neapolitan musicians in New York. This book reviews the period from the unification of Italy to the fascist era through significant Neapolitan performers such as Gilda Mignonette and Enrico Caruso. It traces the transformation of a popular tradition written in dialect into a popular tradition, written in Italian, that contributed to the production of 'American' identity. PLEASE NOTE: ITALIAN TEXT. Simona Frasca is a lecturer on early sound reproduction and Italian migration, and a freelance music journalist. She hold a doctorate in History and Analysis of Musical Culture from La Sapienza University in Rome. Mild sunning to wraps, clean copy.
Hardcover. Lexington KY, University Press of Kentucky, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages, in a bright, unclipped dust jacket. A collection of plays performed in Louisville. Edited by Michael Bigelow Dixon and Michele Volansky. Including plays by: Wendell Berry, Roy Blount, Jr., Harry Crews, and Marsha Norman. INSCRIBED BY CREWS on the front fly leaf to poet friend Ed Hyland: "For Ed - Best wishes for resilience in your work. Keep your ass in the chair - Harry Crews". The Crews play "Blood Issue" is included. Bright, clean copy.
Hardcover. NY, Henry Holt, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover. 249 pages. Black and red striped dust jacket with light edgewear. A clean, tight copy.
Hardcover. NY, Grand Central Publishing, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with blue cloth spine. Lin-Manuel Miranda's groundbreaking musical Hamilton is as revolutionary as its subject, the poor kid from the Caribbean who fought the British, defended the Constitution, and helped to found the United States. Fusing hip-hop, pop, R&B, and the best traditions of theater, this once-in-a-generation show broadens the sound of Broadway, reveals the storytelling power of rap, and claims our country's origins for a diverse new generation. Hamilton: The Revolution gives readers an unprecedented view of both revolutions, from the only two writers able to provide it. Miranda, along with Jeremy McCarter, a cultural critic and theater artist who was involved in the project from its earliest stages -- "since before this was even a show," according to Miranda -- traces its development from an improbable performance at the White House to its landmark opening night on Broadway six years later. In addition, Miranda has written more than 200 funny, revealing footnotes for his award-winning libretto, the full text of which is published here.
Hardcover. College Station TX, Texas A & M University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 174 pages, b&w photos. The show traveled in West Texas, Kansas, Oklahoma and Eastern Colorado from 1920 to 1945. Clean copy in a bright dust jacket.
Hardcover. Cambridge, MA, Harvard University Press, 2nd printing, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover, 73 pages. Third book in the Poets' Theatre Series. Dark blue cloth covers, white titles to spine dust jacket with b&w illustration. Slight soiling to dust jacket, clean boards, pages crisp and unmarked; a very clean, tight copy.
Hardcover. NY, Random House, 1st, 1954, Book: Very Good, Dust Jacket: None, Hardcover, "A Random House Play", 131 pages illustrated with photographs from the stage production featuring Kaye Ballard and Jerry Stiller. Cover label illustration by Hirschfeld. John Latouche's Introduction is his unusual expository curtain speech recounting the circumstances of the plays inception and history. Front end paper tanned. No dust jacket.
Hardcover. NY, Random House, 2nd pr., 1943, Book: Very Good, Dust Jacket: None, Hardcover, putty cloth with blue and red stamping, 146 pages, b&w photos from the 1943 production directed by Rouben Mamoulian. Top edge stained blue. Stated second printing, a tight, clean copy with a mild musty odor. No dust jacket.
Hardcover. NY, Macmillan Company, 1st, 1914, Book: Very Good, Dust Jacket: Poor, Hardcover, maroon cloth with gilt lettering on spine. 164 pages plus 5 pages of publisher's ads. Remnants of torn dust jacket laid in at rear. From reviews on flap: "An effective presentation of modern life in New York City" ... "One of the most sparkling comedies of recent years, depicting life among the artists in Manhattan..." One of only two plays written by this poet. Clean copy.
Hardcover. NY, Atheneum, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 227 pages, b&w illustrations. In a clean, unclipped dust jacket. Rattigan was a renowned English playwright, the author of 22 plays.
Hardcover. London, Hodder & Stoughton, nd (1913), Book: Very Good, Dust Jacket: None, Hardcover, purple cloth covers with elaborate gilt design featuring 3 ladies drinking tea, 197 pages. 17 color illustrations plus frontispiece by Hugh Thomson, all tipped in and with tissue guards. Previous owner's inscription front end paper. Corners lightly rubbed, spine wear, light stain to rear cover. No date but assumed 1920s and first illustrated thus.
NY, Metro Books , 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket,178 pages illustrated in color and b&w. A pictorial history of the Broadway musical. Clean copy.
Softcover. Durham NC, Duke University Press , 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 312 pages, b&w illustrations. In People Get Ready, musicians, scholars, and journalists write about jazz since 1965, the year that Curtis Mayfield composed the famous civil rights anthem that gives this collection its title. The contributors emphasize how the political consciousness that infused jazz in the 1960s and early 1970s has informed jazz in the years since then. They bring nuance to historical accounts of the avant-garde, the New Thing, Free Jazz, "non-idiomatic" improvisation, fusion, and other forms of jazz that have flourished since the 1960s, and they reveal the contemporary relevance of those musical practices. Many of the participants in the jazz scenes discussed are still active performers. A photographic essay captures some of them in candid moments before performances. Clean copy. like new.
London, Faber & Faber, 1st, 1967, Book: Very Good, Dust Jacket: None, Hardcover in red cloth with gilt title on spine minus the dust jacket. 44 pages. This volume includes the texts of Eh Joe, which was produced by BBC Television in July 1966, plus Act Without Words II and Film. Clean copy.
Hardcover. London, George Routledge & Sons, ist thus, 1905, Book: Good, Dust Jacket: None, Hardcover, The Photogravure Series. Attractive green cloth covers with gilt titles and gilt embossed design. 12 b/w tissue-guarded photogravures after drawings by Gilbert James. 91 pages. Top edge gilt. Small scar to cloth on rear cover, spine gilt faded. Previous owner's inscription on front fly leaf, otherwise clean.
Softcover. Los Angeles, Augustan Reprint Society, reprint, 1987, Book: Very Good, Dust Jacket: None, Softcover, 40 pages. A facsimile reprint of a scandalous pamphlet published in 1772. Kendrick was a notorious literary libeler who had a grudge against David Garrick, manager of Drury Lane, imagining he sabotaged his theatrical career. Clean copy.
Hardcover. NY/New Haven, Coward-McCann / Yale University, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, #38/525 copies, Numbered and SIGNED by Wilder on a leaf tipped onto the copyright page, bound in faux-vellum spine, flowered paper covered boards. Mild foxing to a few pages, otherwise clean. A one act play whose action spans 90 years in the home of one family, specifically in the dining room during Christmas dinners. laid in is a page of The Yale Alumni Weekly from 1931 with a review of the play.
Hardcover. NY, Harper & Brothers , 1st, 1940, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. 303 pages. Beach was a popular writer of adventure stories. Here he tells his own tale, more colorful, humorous and adventurous than his novels. Clean copy.
Hardcover. New York, William Morrow and Company, 1st, 1978, Book: Good, Dust Jacket: Good, 225 pages. Hardcover with dust jacket. Gutter cracked in three places. Dust jacket shows edgewear and small tears at corners. Fading to top cover boards.
Hardcover. NY, Thomas Y. Crowell, 1st, 1896, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt and black, 399 pages. Forty-one chapters, each on a different actor, with a portrait of each. Each of the mini-biographies was written by a different writer or critic. The editors include such actors as John Drew, Edwin Booth, Rose Coughlan, James O'Neill, Edward Harrigan, Joseph Jefferson. Very good copy of the first edition. The book has brighttop edge gilt. Previous owner's bookplate, inscription on front endpapers.
Hardcover. NY, Harcourt Brace Jovanovich, 1st, 1973, Book: Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket. 401 pages with index. Ex-lib copy with stamp to front fly leaf, envelope on rear endpaper, sticker on dust jacket spine, interior clean.
Hardcover. London, Allen & Unwin, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket with fading to spine. INSCRIBED BY THE TRANSLATOR INGALLS on the front fly leaf. The desperate struggle between the aging Manchu Empress T z'u-hsi and her young nephew the Emperor, at the close of the nineteenth century. A story told as a parable against both Japanese occupation and the Communist rule. Small ownersjp stamp on first page, otherwise clean.
Hardcover. NY, Stein and Day , 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, blue dust jacket, 311 pages with index. Color frontis, b&w illustrations. "In Grimaldi's lifetime (1779-1837) he won fame and affection for his pantomines;" Dickens reordered the memoirs into a straight narrative of Grimaldi's life." Clean copy.
Hardcover. Honolulu, University of Hawaii, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 250 pages with 160 color and 20 black & white photographs of the elaborately carved and costumed puppets and portraits of the master puppeteers and carvers, list of Wayang characters, glossary, bibliography. Indonesia's wayang golek puppet theatre is among the world's oldest and richest puppetry traditions, contemporary with Japanese Noh drama and the mystery plays of Europe. In an unclipped dust jacket with some light fading to spine.
Hardcover. London, Hodder & Stoughton, 1st Thus, 1912, Book: Very Good, Dust Jacket: None, 198 pages. Hardcover. Green cloth boards with gilt decoration to front cover and spine. 25 tipped-in full color plates and black & white images by Hugh Thomson. Hinges intact but tender. Light wear. Clean, tight copy.
Hardcover. Jefferson NC, McFarland Publishing, 1st, 1997, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with white lettering, no dust jacket issued. A biography of the sole manager of Laura Keene's Theatre in New York City and one of the most influential members of the 19th century theatre community. Her career and her personal life...includes b&w photos, and an appendix of theatres, companies, plays and roles.
Hardcover. New York, Duell, Sloan and Pearce, 1st, 1941, Book: Very Good, Dust Jacket: None, Introduction by Morgan, her superb photographs reproduced in black & white photogravure. Essays by George Beiswanger and Louis Horst as well as a statement by Graham. 160 pages. Corners worn, some chipping of cloth at ends of spine. Light age tanning to cover and page edges.
Hardcover. New York, Pantheon, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 1330 pages. Hardcover. Small red remainder mark on bottom edge. Light wear. Clean, tight copy.
London, Rupert Hart-Davis, 1st, 1961, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering on spine, 292 pages. Maps on the endpapers. Black and white illustrations by Timothy Birdsall. A illustrated guide to the major theatres in London along with a brief history of each. No dust jacket. A bright, clean copy.
Hardcover. Charlottesville, University of Virginia, 1st Thus, 1977, Book: Very Good, Dust Jacket: Very Good, 106 pages. A Play with black & white illustrations by Faulkner. Clean, tight copy. Introduction by Noel Polk. In a bright yellow dust jacket.
Hardcover. Boston, Little, Brown & Co, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 242 pages, illustrated throughout in color and b&w. Light edge wear, rubbing to dust jacket. Clean, tight copy.
Hardcover. University Park, Penn State University Press, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a ightly worn dust jacket. 171 pages, INSCRIBED BY BALDWIN on the front fly leaf. The author explores the Christian symbolism throughout a major portion of Beckett;s mature works.
Hardcover. NY, Knopf, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, paper-covered boards quarter-bound in cream cloth with gilt lettering to spine, top edge tinted blue, halftone photos of the production, Directed by and starring Anthony Perkins, this play was produced way off-Broadway and revealed that God is a Puerto Rican steambath attendant. Name, date on front fly leaf, otherwise clean.