Art

Softcover. New York, Wm. H. Wise, 1st, 1930, Book: Very Good, Dust Jacket: None, Non-Paginated. Comic strips by Clare Briggs that originally appeared in the New York Herald-Tribune. This being one volume of a seven volume set. Light wear to cover corners and edges. Clean, tight copy. Pebbled flexible cloth covers. Clean.

Minneapolis MN, Washburn-Crosby Co., 1909, Book: Very Good, Dust Jacket: None, Art "Start housekeeping right...", seated housewife by a bag of flour. 11 X 13 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Seattle, Fantagraphics Books, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 345 pages. This volume includes a pig with an ominous resemblance to Nikita Khrushchev and a scruffy goat who looks exactly like Fidel Castro. Both assure Okefenokeeans that a one-party system is the way to go; all will be well economically, they explain, because "the shortage will be divided amongst the peasants." Other storylines spotlight Kelly's remarkable cast: Pogo Possum, Albert Alligator, Howland Owl, "Churchy" LaFemme, Beauregard Bugleboy, Porky Pine, Miz Ma'm'selle Hepzibah, Deacon Mushrat, and so many others. All 104 Sunday strips from those two years are included, with supplementary features (including comprehensive annotations and index) by comics historians R.C. Harvey, Maggie Thompson, and Mark Evanier. Clean copy.

Hardcover. Berkeley CA, Ten Speed Press, Revised Ed., 2000, Book: Very Good, Dust Jacket: Very Good, Revised Edition of a book first published in 1990 in London. 204 pages illustrated with detailed color and b&w photographs. Court fashion of the Qing Dynasty (1644-1911).

Softcover. Bethel CT, Apple Comics, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, stapled comic book with color wraps, 30 pages illustrated in b&w by Lomax. Creator Don Lomax, a Vietnam War veteran, has entrenched his Vietnam Journal as one of the most realistic graphic representations of the Vietnam War. Recommended by The Military Book Club. Clean, bright copy.

Softcover. NY, Prestel, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover. This book of 22 detachable vintage cycling posters captures the sport's style and speed throughout the years.Dating from the late 19th-century to the 1970s, this collection features vintage posters from cycling's most iconic brands--such as Bianchi and Peugeot--as well as races--such as the now-defunct Peace Race, the Olympics, and Paris-Brest-Paris. Featuring artwork by A. M. Cassandre, Henri de Toulouse-Lautrec, and other significant names in design history, alongside extraordinary works from lesser known artists and designers, each impeccably reproduced poster is detachable from the spine, ready for framing. The reverse side of each image includes information about the artist and subjects depicted, and a brief introduction offers an overview of the origins, rise and development of the posters. Spanning decades and continents, these striking full-color posters celebrate the beauty of cycling and are the perfect gift for bicycle enthusiasts.

Hardcover. AU, Lannoo, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages. A glimpse into the private world of an interior designer.

Hardcover. New York, Guggenheim Museum, 1st, 1998, Book: Very Good, Dust Jacket: None, 544 pages, illustrated in color and b&w. Essays by various scholars on over 100 artists working in France, bibliography. Illustrated boards. In publisher's shrinkwrap.

Hardcover. San Francisco, CA, Chronicle Books, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. A very clean, unmarked copy like new in publishers shrink-wrap. The 1940s ushered in an era of musical experimentation and innovation at the Walt Disney Studios. For this volume, author Didier Ghez has unearthed hundreds of enchanting images--from early sketches to polished concepts for iconic features--by five exceptional artists who shaped the style of the Studio's animation during this period of unbridled creativity. With evocative descriptions and excerpts from the artists' journals and autobiographies, this magnificent collection offers a rare look at the visionaries who breathed life into some of the most beloved films of our time.

Softcover. Delaware, Delaware Art Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, Pictorial green wrappers, full-cover color painting on front cover. 174 pages, profusely illustrated in b/w, some color. Back cover slightly scratched and spine slightly worn, otherwise, tight, clean copy. Essay by Helen Farr Sloan, catalogue and prologue by Bennard B. Perlman. Chronology, bibliography, list of exhibitions. Catalogue lists 100 works.

Softcover. NY, Watson-Guptill, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 128 pages. For the aspiring artist who wants to become an expert comic book inker, The DC Comics Guide to Inking Comics is the definitive, one-stop resource!Americas leading comic book publisher brings its superstar creators and classic characters to the third in an authoritative series of books on how to create comics. Legendary comic book inker Klaus Janson uses DCs world-famous characters-including Batman, Superman, and Wonder Woman-to demonstrate an array of inking techniques, covering such topics as using textures, varying line weights, creating the illusion of three-dimensionality, and working with light and dark. Jansons lively, step-by-step instructions are informative, exciting-and clear enough for even beginners to follow. In addition, every technique shown in this guide conforms to actual industry standards.The perfect how-to on everything from basic inking materials to storytelling techniques, this one-stop sourcebook is packed with a wealth of tested techniques, practical advice, and professional secrets for the aspiring comic artist.

Softcover. Iowa City, University of Iowa, 1st, 1999, Book: Near Fine, Dust Jacket: None, Softcover, 115 pages, b&w illustrations. Paper wraps. Table of contents with black and white copies of Malevich's sketches and art work. Partial quote from the forward by Stephen Prokopoff "As the work of the principal theoretician of the extraordinary modernist development that occurred in Russia during the first quarter of the twentieth century, Malevich's writings provide an important entry to the understanding of its artistic production and to the thought that animated it."

Softcover. London, Academy Editions, 1st pbk, 1975, Book: Very Good, Dust Jacket: None, Softcover, 130 pages, 8 color plates, 114 b&w illustrations. Quentin Bell justifies his study of Victorian painters and graphic artists not as a revivalist, but as an historian who feels the need to "exhibit the evidence" of a period not adequately covered by others. The chapters are: the age of fragmentation; the Teutonic influence; hard-edged Pre-Raphaelism; Academy notes; low art; from Rossetti to Art Nouveau; the New English Art Club; Sickett & the post-impressionists. Bookplate on inside front cover, small stamp on front fly leaf, otherwise clean, bright copy.

Hardcover. London, Phaidon, 1st, 2005, Hardcover, 360 pages. A compelling insight into Gilbert & George's everyday enigma. The artists' unfailing politeness, consideration for others and open nature exert an irresistible charm. But it's Jonquet's walks with G & G around their home patch of Spitalfields that shed new light on the work, lavishly illustrated with accompanying personal photos.

Softcover. Northampton MA, White Star Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 86 pages, exhibition catalog. Full of b&w plates. . Catalogue of works from the Charles Derby collection of African art. 136 pieces are pictured and described in brief. With an introduction by Derby, an exhibition checklist, and addendum.

Hardcover. New York , W.W. Norton & Co., 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, b&w art throughout by Crumb. Envisioning the first book of the bible like no one before him, R. Crumb, the legendary illustrator, reveals here the story of Genesis in a profoundly honest and deeply moving way. Originally thinking that we would do a take off of Adam and Eve, Crumb became so fascinated by the Bible's language, "a text so great and so strange that it lends itself readily to graphic depictions," that he decided instead to do a literal interpretation using the text word for word in a version primarily assembled from the translations of Robert Alter and the King James bible. As Crumb writes in his introduction, "the stories of these people, the Hebrews, were something more than just stories. They were the foundation, the source, in writing of religious and political power, handed down by God himself." Crumb's Book of Genesis, the culmination of 5 years of painstaking work, is a tapestry of masterly detail and storytelling which celebrates the astonishing diversity of the one of our greatest artistic geniuses.

Softcover. Washington, National Gallery of Art, 2nd printing, 1988, Book: Very Good, Dust Jacket: None, 519 pages. Softcover. Previous owner's bookplate on front endpaper. Color and b/w illustrations throughout. Wrapper excellent, in beautiful condition. Pages clean and bright, unmarked. Binding tight. Published to accompany exhibition: National Gallery of Art, Washington, 5/1-7/31/88; The Art Institute of Chicago, 9/17-12/11/88; Grand Palais, Paris, France, 1/10-4/20/89.

Hardcover. Chicago, University Of Chicago Press, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 264 pages. Like new in publisher's shrink-wrap. Though we think of the 1960s and the early '70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social liberation issues began to spread their messages through provocatively designed newspapers and broadsheets. This vibrant new media was essential to the counterculture revolution as a whole--helping to motivate the masses and proliferate ideas. Power to the People presents more than 700 full-color images and excerpts from these astonishing publications, many of which have not been seen since they were first published almost fifty years ago. From the psychedelic pages of the Oracle, Haight-Ashbury's paper of choice, to the fiery editorials of the Black Panther Party Paper, these papers were remarkable for their editors' fervent belief in freedom of expression and their DIY philosophy. They were also extraordinary for their graphic innovations. Experimental typography and wildly inventive layouts reflect an alternative media culture as much informed by the space age, television, and socialism as it was by the great trinity of sex, drugs, and rock 'n' roll. Assembled by renowned graphic designer Geoff Kaplan, Power to the People pays homage in its layout to the radical press. Beyond its unparalleled images, Power to the People includes essays by Gwen Allen, Bob Ostertag, and Fred Turner, as well as a series of recollections edited by Pamela M. Lee, all of which comment on the critical impact of the alternative press in the social and popular movements of those turbulent years. Power to the People treats the design practices of that moment as activism in its own right that offers a vehement challenge to the dominance of official media and a critical form of self-representation.

Softcover. Baltimore MD, Maryland Historical Society, 1st, 1987, Book: Very Good, Dust Jacket: None, Pictorial wraps with color illustration and white lettering; 173 pages. 45 color, 88 b&w plates. Exhibition catalogue lists 83 extensively annotated works, and a Supplemental Catalogue lists an additional 13 works. Selected bibliography and short-list of titles. Each essay includes extensive notes. The definitive work on the early Afro-American portrait painter. Published to accompany the exhibition held in Baltimore, MD: Maryland Historical Society, Sept. 26, 1987 to Jan. 3, 1988, three other locations. Scarce. Previous owner's stamp and bookplate, short inscription on inside front cover. Related clipping, brochure laid in.

Hardcover. New York , Harrison House, reprint, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover. 150 vintage black-and-white 1920s and 1930s Hollywood star portraits (many/most full-page) with accompanying descriptive captions. "This book lets us see, with dramatic impact, the artistry of the Hollywood studio photographers, whose portraits (reproduced by the millions as cheap fan photographs) of Crawford, Garbo, Cooper and the others both revolutionized photographic portraiture and, to an enormous extent, formed our vision of the great Hollywood faces." 292 pages. Small previous owner's stamp on front fly leaf otherwise clean.

Softcover. London, Victoria & Albert Museum, 1st, Book: Very Good, Dust Jacket: None, 128 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. 90 color plates, 10 black and white illustrations. This definitive and lavishly illustrated biography is the first to trace Kauffer's life and showcase his best work-posters, book illustrations, and theater designs.

Softcover. Seattle, Fantagraphics Books, 1st thus, 2007-12-05, Book: Very Good, Dust Jacket: None, Softcover, 90 pages, illustrated throughout in b&w. Clean, unmarked copy in excellent condition. Having mastered comic books and gag cartoons, in 1958 Jack Cole set his sights on the cartoonist's pot of gold--a syndicated newspaper strip. He hit the bull's-eye with Betsy and Me, a breezy domestic farce focusing on a middle-class urban couple and their smart-aleck genius son. Betsy and Me was an instant success and newpapers were lining up to buy it. Then, with only two-and-a-half month's worth of strips completed, Cole purchased a .22 caliber pistol and ended his life. For Betsy and Me, featuring city dweller Chet Tibbit's day-to-day stuggles and achievements, Cole stripped his style down to its bare essentials, creating a strip that sparkles with economy, wit, and charm. What gave the strip its edge, however, was Cole's innovative storytelling. As R.C. Harvey writes in his introduction, "Cole's storytelling manner was unique: the comedy arose from the pictures' contradicting the narrative prose. Cole's fatuous protagonist and narrator would say one thing in the captions accompanying the drawings, but the pictures of his actions showed the opposite, revealing [him] to be a trifle pretentious and wholly delusional." Harvey's intro also serves as a biographical sketch and sheds light on the circumstances surrounding Cole's suicide.

Softcover. San Francisco, Chronicle Books, 1st, 2018, Softcover, 128 pages. Includes essays by Ai Weiwei, Cheryl Haines, Jasmine Heiss, and David Spalding. Renowned artist Ai Weiwei engaged nearly 900,000 visitors in a conversation about human rights with his art installation @Large: Ai Weiwei on Alcatraz. In one participatory piece, Yours Truly, visitors sent 92,829 postcards to prisoners of conscience around the world. This book delves into those postcards' lasting impact. Five former prisoners and their loved ones reflect on the experience of receiving hundreds of postcards while imprisoned. Essays and a statement by Ai Weiwei contextualize this extraordinary project. And photographs taken during the exhibition show visitors and the messages they wrote. The book also includes four pre-addressed, tear-out postcards, inviting readers-whether art lovers or activists-to send hope to individuals still imprisoned for defending human rights. Clean copy.

Softcover. Kitchen Sink Press, reprint, 2009, Book: Very Good, Dust Jacket: None, Softcover, 164 pages. In 1958, Al Capp turned his sights on Organized Crime in the outrageoue tale of the Lady in Red, the most beautiful mobster ever drawn, who makes Dogpatch her hideout! America was fascinated with the Mafia after Congressional hearing had exposed its inner workings, and Capp takes readers on a wild ride as the gorgeous gangster impersonates Daisy Me, leaving Abner's long-suffering spouse to pay for her crimes! Also in this volume, Gloria Van Welbilt roars through Dogpatch with her flying pig, Abner is captured by statuesque Amazons and ends up with his head shrunken, and aliens from Planets Pincus try to turn Manhatten into a Disneyland-type amusement park called Crazyland!

Hardcover. NY, William Morrow, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 8'' x 5 1/4 ''. Contains 92 printed pages of large text with color illustrations throughout.

Softcover. Berkeley CA, University of California Press, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 118 pages, illustrations in color. Clean, unmarked copy in excellent condition. In Telling Stories, David Kaufmann focuses on Philip Guston's controversial figurative paintings of the late 1960s and 1970s. He looks at the early critical reception of these works to see what the artist was actually doing and, at another level, to investigate the odd alchemy of artists and their audiences. Grounding his historical approach in careful readings of the paintings, Kaufmann pays close attention to Guston's intense and complicated relationship to Judaism. At the same time, by situating Guston in the context of the fashions of the New York art world, Kaufmann provides unique insight into the workings of that world at the moment when the strictures of artistic modernism began to fade.

Hardcover. Boston, G. K. Hall & Co., reprint, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 413 pages. This incomparable collection of essays, manifestos, and illustrations was prepared by Robert Motherwell with the collaboration of some of the major Dada figures: Marcel Duchamp, Jean Arp, and Max Ernst among others. Here in their own words and art, the principals of the movement create a composite picture of Dada - its convictions, antics, and spirit. First published in 1951, this treasure trove remains, as Jack Flam states in his foreword to the second edition, "the most comprehensive and important anthology of Dada writings in any language, and a fascinating and very readable book." It contains every major text on the Dada movement, including retrospective studies, personal memoirs, and prime examples. The illustrations range from photos of participants, in characteristic Dadaist attitudes, to facsimiles of their productions. Embossed name stamp on front fly leaf, otherwise clean.

Softcover. Seattle, Fantagraphics Books, 1st thus, 1991, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. B&w comic strips from 1933.

Hardcover. US, Prestel USA, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 264 pages. Hardcover in slipcase. Like new in publisher's shrink-wrap. This elegant volume is the first comprehensive published study in English of the finely carved wooden covers designed to protect fragile Tibetan Buddhist texts. From the 11th through 14th centuries, Tibetan monks worked tirelessly to transcribe the life and teachings of the Buddha onto paper. Highly skilled craftsmen then covered these pages with wooden boards that had been elaborately and painstakingly carved, gilded, and painted. The MacLean Collection, based in Chicago, has significant holdings of these extremely rare and ornately decorated objects. The first and most comprehensive of its kind, this lavishly produced, oversize volume features numerous illustrations of magnificent book covers from Tibet as well as several examples from other cultures. The volume tells the fascinating history of these objects, examines the materials from which they were carved, and traces stylistic influences from Kashmir, India, Nepal, and China.

Softcover. San Francisco, Rip Off Press, 3rd pr., 1982, Book: Very Good, Dust Jacket: None, Softcover, oblong format with yellow pictorial covers. Some light fading to spine, a few small ink notations on inside rear cover, otherwise bright, clean copy. Originally published in 1977 in this format, this is the revised and enlarged edition of August 1982.

Softcover. Toronto, Ontario Heritage Foundation, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, 201 plates in color and b&w. Softcover exhibition catalog in clean, bright condition. Photos with brief descriptions of folk art & artifacts representing many ethnic groups including Pennsylvania German work. Clean copy.

Hardcover. NY, Firefly Books, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. Posters of the Canadian Pacific is a treasury of three hundred of the finest posters published by the company. They were displayed in Canadian Pacific offices and independent travel agencies worldwide from the 1880s until the 1970s. These posters enticed millions to visit and even settle in Canada. The posters span the years 1883-1973 with special focus on the Art Deco style posters of the 1920s and '30s. They focus on travel and leisure -- activities on ski slopes, golf courses, beaches, and luxury resorts. Other posters feature Canadian Pacific ocean liners in exotic locations around the globe such as the West Indies, Rio, Hawaii and the Orient.

Softcover. New York, Jill Newhouse, 1st, 1983, Book: Good, Dust Jacket: None, Unpaginated, staple-bound pamphlet, with 47 black-and-white illustrations. Price list for works laid in. Light soiling, edge-wear, and shelf-wear to covers. A little foxing to top edge. Otherwise, clean, tight copy.

Softcover. San Francisco, Rip Off Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 32 pages plus color wraps. Staple bound, $2.00 cover price. Black and white art by Selton inside. Clean, bright copy.

Hardcover. UK, Sona Books, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 141 pages in color. Famous for the Birkin Bag and Silk Scarf and beloved by the great, the good and the uber glamorous - Hermes boasts an instantly recognizable signature style all of its own. This book, beautifully illustrated with images of some of the world's iconic fashion items, charts the story of Hermes origins and how the brand became the symbol of French luxury and craftsmanship and the influential, innovative haute couture power house it is today. Clean, bright copy.

Hardcover. NY, Abrams, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 263 pages. Louis Michel Eilshemius was a born poet-visionary. His paintings reveal a gift for lyrical expression, an ability to impart an unearthly, dreamlike quality to canvas, and an extraordinary originality. The abundant illustrations in this first comprehensive volume on the artist attest to the importance of his contribution to American art at the turn of the century. In his sensitive text, Paul J. Karlstrom illuminates the contradictions that provide the key to understanding Eilshemius's life and art. Thoroughly trained in the academic manner, Eilshemius later became known primarily as the painter of bizarre, 'primitive' nudes. His early paintings, landscapes influenced by the Barbizon school and Camille Corot, differ dramatically from his late works, which are naive and often disturbing fantasies. At his best, Eilshemius was a magician of the canvas, yet his unstable character and unrealistic ambitions prevented him from fully realizing his talent.

Hardcover. New York, Knopf, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 391 pages. Hardcover with dust jacket. Light yellowing and wear to dust jacket edges. An otherwise clean, unmarked copy. Full color looks at over 3277 New Yorker covers over 65 years.

Softcover. NY, Life Publishing, 1926, Book: Good, Dust Jacket: None, Softcover, 36 pages plus cover. Color cover by Garrett Price: A Quick Pick-Up. Magazine was once folded so a crease throughout. 3 color ads plus b/w cartoons by Al Frueh, Art Young, John Held, others.

Softcover. NY, Van Nostrand Reinhold, 1st pbk., 1982, Book: Very Good, Dust Jacket: None, Softcover, 218 pages with 256 b&w illustrations. From cover: "describes the ideals that inspired an earlier generation to leave city and factory in order to practice crafts ranging from bookbinding and metalwork to furniture making." Mild curl to cover, otherwise very good, clean.

Hardcover. NY, Praeger Publishers, 1st US, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover. 288 pages. 971 illustrations including 64 color plates. Previous owner's inscription, embossed stamp on front fly leaf, some edge wear on dust jacket.

Hardcover. NY, Konecky and Konecky, reprint, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. 54 color and 146 b&w illustrations.

Hardcover. Boston, New York Graphic Society, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 328 pages, profusely illustrated in color and b&w. A study of Morris's life through his own words and work. Contains extracts from his letters, poems, etc. Lavishly illustrated throughout with over 200 color plates. Many of the illustrations have never been reproduced before

Hardcover. NY, Holt, Rinehart and Winston, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. Dark blue cloth, 274 pages. Fully illustrated with reproductions of Father Point's paintings and drawings, most in full color. DOMESTIC SHIPPING ONLY.

Softcover. Phoenix, AZ, Phoenix Art Museum, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog. 181pages, illustrated throughout in color and b&w. Gray pictorial stiff wrappers. Light wear to edges and spine, else like enw.

Softcover. Rochester, NY, Home Institute, 1939, Book: Very Good, Dust Jacket: None, Softcover, stapled 2-color wrappers, 40 page booklet, b&w illustrations throughout. Not credited but presumed the author. Nice period drawings.

Hardcover. New Yory, Sterling, reprint, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Originally published in 1990 by Kitchen Sink Press. Color throughout. 208 pages.

Hardcover. NY, Neue Galerie, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Foreword by Ronald S. Lauder. More than 160 works illustrated in color. 123 pages. Clean, bright copy.

Hardcover. Springfield, MA, Pond Ekberg, 1st, 1941, Book: Very Good, Dust Jacket: None, 199 pages, illustrated throughout in b&w. Limited edition. #219/500 copies SIGNED BY THE AUTHOR. Blue cloth spine. blue paper boards, gilt titles. No dust jacket. Light wear around edges and spine, front cover slightly sunned with tape mark from old price-sticker. Bookplate. A nice, tight copy.

Softcover. Damiani, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover in publisher's shrink-wrap. Italian photographer Alex Fakso got his start at the age of 13, photographing his own works of graffiti on trains. Since then, Fakso has become a prominent personality in the underground world of street art. His latest project Fast or Die is a raw and honest portrayal of the often chaotic lives of subway graffiti artists from London to Tokyo.

Hardcover. Hatje Cantz Publishers, 1st, 2006, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. Hardcover, 176 pages. Text in English and German. Hardcover, pages. Thomas Zipp, born in 1966, studied under Martin Kippenberger in Frankfurt and then continued at the Slade School of Fine Art in London. His imagery blends New Age thought patterns with provocative spiritual irony: religion, cults, myths, drugs and violence. Achtung! Vision presents his paintings, drawings, collages and installations since 2003, including a number of very new and never-before-seen works.